{"id":2271,"date":"2020-07-12T14:16:05","date_gmt":"2020-07-12T13:16:05","guid":{"rendered":"https:\/\/www.konstanze-eickhorst.de\/?page_id=2271"},"modified":"2020-07-12T14:16:05","modified_gmt":"2020-07-12T13:16:05","slug":"johann-sebastian-bach","status":"publish","type":"page","link":"https:\/\/www.konstanze-eickhorst.de\/en\/from-the-studio\/johann-sebastian-bach\/","title":{"rendered":"Johann Sebastian Bach"},"content":{"rendered":"

\"\"<\/a><\/p>\n

 
\n\u00bbEverything is marked by highly clear and yet pliable articulation which breathes life into the music. A rejuvenating outlook on Bach’s music and a pleasure to hear.\u00ab
\nReview on the Classical Music Sentinel by Jean-Yves Duperron, March 2020<\/p>\n

\u00bbHer feeling for timbres and poetry, as well as her art of revealing contrapuntal developments, are impressive.\u00ab
\nRezension im Magazin Pizzicato von Norbert Tischer, 20.4.2020<\/p>\n

\u00bbAl met al fraai gerealiseerd en bovendien uitstekend opgenomen!\u00ab
\nReview on opusklassiek by Aart van der Wal, April 2020
\n <\/p>\n

https:\/\/www.konstanze-eickhorst.de\/wp-content\/uploads\/2020\/02\/KonstanzeEickhorst-GEN20682-BACH-Partita16.mp3<\/a><\/audio>
\nPartita Nr. 1, Gigue BWV 825<\/strong><\/p>\n","protected":false},"excerpt":{"rendered":"

  \u00bbEverything is marked by highly clear and yet pliable articulation which breathes life into the music. A rejuvenating outlook on Bach’s music and a pleasure to hear.\u00ab Review on the Classical Music Sentinel by Jean-Yves Duperron, March 2020 \u00bbHer feeling for timbres and poetry, as well as her art of revealing contrapuntal developments, are […]<\/p>\n","protected":false},"author":2,"featured_media":0,"parent":726,"menu_order":0,"comment_status":"closed","ping_status":"closed","template":"","meta":{"footnotes":""},"class_list":["post-2271","page","type-page","status-publish","hentry"],"_links":{"self":[{"href":"https:\/\/www.konstanze-eickhorst.de\/en\/wp-json\/wp\/v2\/pages\/2271","targetHints":{"allow":["GET"]}}],"collection":[{"href":"https:\/\/www.konstanze-eickhorst.de\/en\/wp-json\/wp\/v2\/pages"}],"about":[{"href":"https:\/\/www.konstanze-eickhorst.de\/en\/wp-json\/wp\/v2\/types\/page"}],"author":[{"embeddable":true,"href":"https:\/\/www.konstanze-eickhorst.de\/en\/wp-json\/wp\/v2\/users\/2"}],"replies":[{"embeddable":true,"href":"https:\/\/www.konstanze-eickhorst.de\/en\/wp-json\/wp\/v2\/comments?post=2271"}],"version-history":[{"count":0,"href":"https:\/\/www.konstanze-eickhorst.de\/en\/wp-json\/wp\/v2\/pages\/2271\/revisions"}],"up":[{"embeddable":true,"href":"https:\/\/www.konstanze-eickhorst.de\/en\/wp-json\/wp\/v2\/pages\/726"}],"wp:attachment":[{"href":"https:\/\/www.konstanze-eickhorst.de\/en\/wp-json\/wp\/v2\/media?parent=2271"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}